VFX for films, episodics and commercials

Since 2012, DUSK has delivered visual effects from its Paris studio — from a single invisible fix to several hundred shots across a season. We are one of the few Parisian studios to run VFX and image laboratory under one roof, which keeps colour and texture consistent from the first scout to the final render.

Below are the projects we have worked on, with the directors, production companies and broadcasters behind them. Filter by type, or read the breakdown by format further down.


Evil Dead Burn
Warner Bros I Ghost house Pictures I 2026
Jusqu’au bout
Moana Films I Netflix I 2026
Le Facteur Humain
Loveboat I Coming Soon
Le Bateau Ivre
Les Enfants Terribles I Coming Soon
Camarades
Agat Films I Arte I Coming Soon
Les Héros du Louvre
Alexandra Fechner Productions I Coming Soon
Banquise
Agat Films I Coming Soon
Les Lionnes
Les Films entre 2 et 4 I Netflix I 2026
Agnès
Nolita Cinéma I 2026
L’intruse
Tetra Media Fiction I France Télévisions I 2025
Polène – À travers champs
Polène I Commercial I 2025
Fais pas ci, Fais pas ça
Elephant Story I Disney +, France Télévisions I 2025
Polène – The Tale of the Moon
Polène I Commercial I 2025
Week-end in Taipei
Europacorp I 2024
Becoming Karl Lagerfeld
Gaumont Télévision I Disney+ I 2025
Quitter la nuit
Versus Productions I 2024

Episodics

Series work means volume under broadcast deadlines. We build a dedicated team per season and work episode by episode, from on-set supervision through to final compositing.

Les Lionnes (Netflix, Les films entre 2 et 4, dir. Olivier Rosemberg) · Camarades (Arte, Agat Films, dir. Dominique Baumard & Benjamin Charbit) · Becoming Karl Lagerfeld (Disney+, Gaumont Télévision, dir. Jérôme Salle & Audrey Estrougo — 80 compositing shots) · Jusqu’ici tout va bien (Netflix, Elephant Story, dir. Nawell Madani) · Benoît Gênant Officiel (TF1+, Full Players, dir. Eric Lavaine).

Feature films

Feature work runs from period reconstruction to full sequence creation, often shared with other vendors on large productions.

Evil Dead Burn (Warner Bros, Ghost House Pictures, dir. Sébastien Vaniček — 26 VFX shots, FX and 2D/3D compositing) · Les Héros du Louvre (Alexandra Fechner Productions, dir. Eli Chouraqui) · Banquise (Agat Films, dir. Emmanuel Courcol) · Jusqu’au bout (Mona Films, Netflix, dir. Nawell Madani & Ludovic Colbeau-Justin) · Week-end in Taipei (Europacorp, dir. George Huang — 120 shots including de-aging) · Les Trois MousquetairesD’Artagnan and Milady (Pathé, Chapter 2, dir. Martin Bourboulon) · Falcon Lake (CinéFrance Studios, dir. Charlotte Le Bon).

Commercials

Advertising runs on short cycles and demands a high level of finish. We handle on-set supervision, CG, photogrammetry, lighting and compositing for brands and agencies.

Polène (three films, including Fleurs de cuir — on-set supervision with drone photogrammetry of the terrain to rebuild the desert in 3D, then photogrammetry modelling of the leather flowers, lighting, rendering and compositing) · Dior (Sheriff Projects) · Lego (Mutt Agency) · Roland Garros x Amazon Prime (Mutt Agency) · Lindt — Lapin d’Or · Givenchy (Sheriff Projects).

Planning VFX in France? International productions can claim up to 40% back through the French Tax Rebate. Talk to us about your project.

Press Enter / Return to begin your search or hit ESC to close.

New membership are not allowed.